God and king film

The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.

 

Storyline

Epic adventure Exodus: Gods and Kings is the story of one man's daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses as he rises up against the Egyptian Pharaoh Ramses, setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.

Public Reviews

We went to see the new movie Exodus at a theater here in Spain on Monday. When we came out, I was very angry. I was so upset by the treatment given in the movie of the Exodus from Egypt by the Children of Israel that I wanted to set up a protest right there. I wonder if there is any way to protest this movie in time to boycott it so the producers don't get so much money from it. These are my observations:

1. God was left out of it. He was represented as an emotionless young boy. This made Him seem to be less powerful than Moses, and certainly not omniscient omnipotent or omnipresent.. 2. Moses, although handsome and a good actor, was not represented as a man with a prophetic calling. 3. No words were spoken by God to Moses. In the Bible, God speaks to Moses. Moses was not even told to take off his shoes because he was on holy ground. 4. Moses did not have a rod like the Bible says. He had an Egyptian sword instead. 5. The Red sea was not parted by the rod at God's command. Moses throws his Egyptian sword into the water and the water, for some unknown reason, slowly sinks down around it. 6. In the movie, the Children of Israel do not walk across on dry ground, as it says they do in the book of Exodus. They are up to their waist in water. It is made to look like God couldn't quite make the water stand up and he doesn't care if the small children get drowned. 7. The Bible says God puts a cloud and a pillar of fire between the Israelites and the Egyptians so they can all get across. None of this is in the movie.. 8. Aaron doesn't go with Moses to talk with the Pharaoh. In fact, Aaron, the spokesman, doesn't say anything to the Pharaoh. 9. Moses doesn't talk to Pharaoh much, or warn him about the plagues, either, which he does in the Bible. 10. In the movie, Moses leaves his family behind in Median. In the real Book of Exodus, he takes them with him. 11. Never once does Moses tell pharaoh to let his people go. Why leave that out??? That really makes me mad. 12. Never once does God speak and say who He is. The young boy who is supposed to represent Him doesn't even have a kind or holy look about him. He just stands there. This is an insult to God. 13.When Moses goes up on Sinai to get the tablets with the Ten Commandments, the finger of God doesn't write them. Moses himself chisels them out on the stone tablets while The young boy sits down and watches. WRONG!! 14. Not once is it mentioned that there are Ten Commandments of God on the stone tablets. 15. We don't have any idea what the commandments are, even after watching the entire movie. 16. Moses does not turn the Nile to blood in front of Pharaoh. Some big crocodiles bite each other (all portrayed sensationalistic ally in 3 D) and that is what supposedly turns the Nile to blood.

We are left with no feeling of peace or closure. The main chances for spectacular special effects have run dry, so the story must end.

There was nothing uplifting or edifying about this film. Maybe the title of the film made my expectations too high. Why should film producers choose a Biblical account and then desecrate it? Why not be accurate and then let the audience have an opportunity to know the real story? They should do special effects on some other genre of story. One can see that the object of the movie was to sell special effects. Its side effect (intended or unintended?) is to give the audience the idea that God is weak and that Moses was only an unholy bystander. I am angry that we spent 11 euros (about 15 dollars) to be insulted and offended. I hope people will think twice before spending good money to reward the folks who concocted that spiritless travesty.

 

Director:

 Ridley Scott

Writers:

 Adam Cooper, Bill Collage | 

Stars:

 Christian Bale, Joel Edgerton, Ben Kingsley | 

Star War

Two Jedi Knights escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to reclaim their old glorDirector: George Lucas
Writer: George Lucas
Stars: Ewan McGregor, Liam Neeson, Natalie Portman
Storyline The evil Trade Federation, led by Nute Gunray is planning to take over the peaceful world of Naboo. Jedi Knights Qui-Gon Jinn and Obi-Wan Kenobi are sent to confront the leaders. But not everything goes to plan. The two Jedi escape, and along with their new Gungan friend, Jar Jar Binks head to Naboo to warn Queen Amidala, but droids have already started to capture Naboo and the Queen is not safe there. Eventually, they land on Tatooine, where they become friends with a young boy known as Anakin Skywalker. Qui-Gon is curious about the boy, and sees a bright future for him. The group must now find a way of getting to Coruscant and to finally solve this trade dispute, but there is someone else hiding in the shadows. Are the Sith really extinct? Is the Queen really who she says she is? And what's so special about this young boy?User Reviews Badly criticized by ..... critics who love to overintellectualize a film - you might find this worth watching if you already are a Star Wars fan. People say GL was saving the best for later (later prequel episodes) and its true that there are some juvenile sequences in the movie. But the backstory of Sidious pulling the strings to push the current Supreme Chancellor out of the picture as a devious prelude to his future schemes is what MAKES this movie. Only Star Wars fans can think something of this - even if you're not so keen. the story is THERE. The pacing is bad, but there are moments in this film that prove to be pure eye candy. The end duel with Darth Maul vs. Obi Wan and Qui Gon Jinn is one of the best fight scenes ever put on film despite this movie's imperfections. I rate this film an 8 out of 10. I certainly wish that this review is justified. Anyways, this could be a see and see again amongst Star Wars fans --- with fastforwards that is. (What I said about the pacing)

Dowanloads "Hot Pursuit" HD full Movies

An uptight and by-the-book cop tries to protect the outgoing widow of a drug boss as they race through Texas pursued by crooked cops and murderous gunmen.

Director:

 Anne Fletcher

Writers:

 David Feeney, John Quaintance

Stars:

 Reese Witherspoon, Sofía Vergara, Matthew Del 

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Storyline

An uptight and by-the-book cop tries to protect the outgoing widow of a drug boss as they race through Texas pursued by crooked cops and murderous gunmen.

User Reviews:

Pretty Good Film and very similar to an old 80's favorite "Midnight Run" , (which grossed $38Million in '88, comparable to $300 Million in today's dollars) starring Robert Dinero, Charles Grodin, and tough guy Dennis Farina (one of the best hard-nosed tough character actors of the last 30 yrs). Similar to Reese Witherspoon's Role of the Police Officer transferring Beautiful Vengara as a key Protective Custody Criminal witness person across multiple state lines, back in 1988 Federal Marshall or BOunty Hunter Robert Hunter had to transfer Mafia Accountant Charles Grodin from Coast to Coast. "Hot Pursuit' has a lot of High Speed car scenes A great Climatic end scene with Mob Boss Dennis Farina made "MidNight Run' funny and gutsy, just like "Hot Pursuit"'s high speed chase scenes, Reese using a Gun, and provocative sensual chemistry of both leading ladies makes this film fun to watch, as well. Hopefully it will garner will more $$$ Revenue than Sandra Bullock & Melissa McCarthey's 2013 hit film 'Heat' which grossed $159 Million.

Full Movies "The Dark Knight" Downloads HD

The Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city. He enters an uneasy alliance with the young police lieutenant, Jim Gordon (Gary Oldman), and Batman (Christian Bale), the caped vigilante who seems to trust only Gordon--and whom only Gordon seems to trust. They make progress until a psychotic and deadly new player enters the game: the Joker (Heath Ledger), who offers the crime bosses a solution--kill the Batman. Further complicating matters is that Dent is now dating Rachel Dawes (Maggie Gyllenhaal, after Katie Holmes turned down the chance to reprise her role), the longtime love of Batman's alter ego, Bruce Wayne.

In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages,

Product Details

• Actors: Christian Bale, Heath Ledger, Maggie Gyllenhaal, Aaron Eckhart, Michael Caine
• Directors: Christopher Nolan
• Format: Multiple Formats, AC-3, Color, Dolby, Special Edition, Widescreen, Subtitled, NTSC
• Language: English (Dolby Digital 5.1), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, French, Spanish

Free Dowanloads "Avatar" HD

A Paraplegic Marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home..

Director:

 James Cameron

Writer:

 James Cameron

Stars:

 Sam Worthington, Zoe Saldana, Sigourney Weaver |

Storyline

When his brother is killed in a robbery, paraplegic Marine Jake Sully decides to take his place in a mission on the distant world of Pandora. There he learns of greedy corporate figurehead Parker Selfridge's intentions of driving off the native humanoid "Na'vi" in order to mine for the precious material scattered throughout their rich woodland. In exchange for the spinal surgery that will fix his legs, Jake gathers intel for the cooperating military unit spearheaded by gung-ho Colonel Quaritch, while simultaneously attempting to infiltrate the Na'vi people with the use of an "avatar" identity. While Jake begins to bond with the native tribe and quickly falls in love with the beautiful alien Neytiri, the restless Colonel moves forward with his ruthless extermination tactics, forcing the soldier to take a stand - and fight back in an epic battle for the fate of Pandora.

Movies User Reviews:

It has been 12 years since Cameron unleashed the phenomenon that was Titanic and real fans would have to look as far back as 1991's Terminator 2 for their last proper dose of his incredibly epic action (True Lies, while fun, really doesn't count). So the anticipation for Avatar has long since reached fever pitch and beyond.

Thankfully for the patient masses, Avatar has turned out to be the biggest and best event movie of the year, perhaps the decade. The story is pure Cameron simplicity – a paraplegic ex-marine is given a chance to walk again through the use of a unique alien body, called an Avatar. It is his job to gain the trust of the natives so that a greedy corporation can steal the precious metal from their lush moon. Jake's (Sam Worthington) crippled main character is the perfect point of contact for the audience – not only is he new to the visual delights of Pandora but his disability means that every moment in his Avatar body is one of glorious freedom from the confinement of his chair. When the Corporations intentions become more sinister, Jake must choose between his new found place with the natives and his own race and fight for what he believes in.

Avatar combines parts of Pocahontas and Braveheart with a liberal dose of Space Marines into an epic whole that takes nearly three full hours to unfold. We could criticise that length, the weak story and the hammy dialogue. We could attack its thinly-veiled ecological message or the frankly bizarre spirituality in its second half but honestly nothing can spoil the experience while you are enveloped in it. And a large part of that is down to the brilliant use of 3D – which is both subtle and incredibly effective. Til now, we have been making movies with 3D elements, Avatar is the first truly 3D film and might well prove to be one of the most significant things to happen to blockbuster film-making since Star Wars.

Cameron is also pushing the envelope with truly photo-real CG – something which has been promised for years but has finally been delivered with Avatar. The interactions of the characters with the environment is incredible and the detail on the faces of the motion-captured leads (Worthington and Star Trek's Zoe Saldana) bring them to life. You will believe totally in their performances, representing another quantum leap in tools which have rarely been used for anything other than spectacle.

Make no mistake, Avatar is an important film from a technical standpoint but it is also great entertainment. The world of Pandora is a stunning spectacle from scene to scene and as Jake learns more about the Na'vi the film approaches the kind of light hearted adventure story which has been absent from movie theatres for years. Then the final act explodes into tragedy and desperate action, with the final half hour a blistering life or death struggle that has to be seen to be disbelieved.

Over the coming days you will be hearing a lot about Avatar, and some of the critical reaction is bound to focus on its weaknesses in a bid to appear appropriately reserved and objective. But this is not a film to be dissected or examined, rather one to be experienced with a warm crowd, a great sound system, in 3D as you bask in the knowledge that the movie-making master is back!

Free Dowanloads "American Sniper" HD

Naval force SEAL expert sharpshooter Chris Kyle's pinpoint exactness spares incalculable lives on the combat zone and transforms him into a legend. Back home to his wife and children after four voyages through obligation, nonetheless, Chris observes that it is the war he can't abandon.

Director:

 Clint Eastwood

Writers:

 Jason Hall, Chris Kyle (book), 

Stars:

 Bradley Cooper, Sienna Miller, Kyle Gallner |

Storyline

Chris Kyle was simply a Texan man who needed to turn into a cowhand, yet in his thirties he figured out that perhaps his life required something else, something where he could express his genuine ability, something that could help America in its battle against terrorism. So he joined the SEALs to turn into a sharpshooter. In the wake of wedding, Kyle and alternate individuals from the group are required their first voyage through Iraq. Kyle's battle isn't with his missions, yet about his association with the truth of the war and, once returned at home, how he figures out how to handle it with his urban life, his wife and children.

Movies User Reviews:

I put in 27 years in the US Army, was in Operation Desert Storm (the first), was fervently restricted to the wars in Iraq and Afghanistan, and thought this motion picture was one of the best military/war films I've ever seen. The authenticity was there, Bradley Cooper was marvelous, the anxiety of a fighter amid fight was depicted splendidly, the choices we request that children make are genuine and they were practically demonstrated on screen, and as this film makes clear- -war isn't a stroll in the recreation center. Anyone who thinks Bradley Cooper is a tiny blip on the radar is tragically mixed up; this gentleman is the genuine article. Martin Sheen in Apocalypse Now, Charlie Sheen in Platoon, and now Bradley Cooper in American Sniper. You've got the chance to go the distance back to Gregory Peck in Pork Chop Hill or George C. Scott in Patton to get even near to a performer that gave a superior execution in this kind. I saw it twice. Couldn't traverse it the first run through and needed to exit  -I got so accursed enraged at George Bush, Dick Cheney, and Donald Rumsfeld for killing all these honest children I couldn't observe any longer. When I moved beyond that I about-faced to see it again and trust me- -its exceptional.

X-Men Full Movies Downloads

 The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.

Director:

 Bryan Singer

Writers:

 Simon Kinberg (screenplay), Jane Goldman (story),

Stars:

 Patrick Stewart, Ian McKellen, Hugh Jackman |

Storyline

Sentinels, robots that were created for the purpose of hunting down mutants were released in 1973. 50 years later the Sentinels would also hunt humans who aid mutants. Charles Xavier and his X-Men try their best to deal with the Sentinels but they are able to adapt and deal with all mutant abilities. Charles decides to go back in time and change things. He asks Kitty Pryde who can send a person's consciousness into the person's past to send him but she can only send someone back a few weeks because if she sends someone back further it could harm them. So Logan decides to go back himself because he might be able to withstand it. So Charles tells him that it's Mystique who's responsible because when she learned about the Sentinels she sought out Bolivar Trask the man who created them and killed him. She would be caught and studied and her ability to change was somehow added to the Sentinels which is why they can adapt. Logan must go to the younger Charles and ask him to help; problem is..

Movies User Reviews:

With its mind-boggling premise and jaw-dropping cast, X-Men: Days Of Future Past blasts into cinemas bearing the weight of great expectations. Surely this mash-up of X-Men past and future has the potential to be the best superhero blockbuster our world will ever see? Well, yes and no.

To be strictly objective, Days Of Future Past can occasionally come off as a little too earnest, its enormous cast of characters getting somewhat lost in the grinding of its narrative gears. But, when it works (which is most of the time), Days Of Future Past comes pretty darn close to nerdvana – this is a smart, rich film that effectively mines its source material (both the movies and Chris Claremont's classic 1981 storyline in the comic books) and its incredible cast for emotion, power and depth.

Flash forward to the bleakest of futures. X-Men we have known – led by perennial frenemies Professor Charles Xavier (Patrick Stewart) and Erik Lensherr/Magneto (Ian McKellen) – are being hunted mercilessly by a horde of intelligent, death-mongering robots known as Sentinels. With little hope for survival, the desperate X-Men decide to send Wolverine (Hugh Jackman) back in time to the 1970s. There, he must find the younger Charles (James McAvoy) and Erik (Michael Fassbender) – several years estranged after the traumatic events of X-Men: First Class – and get them to change the future before it can happen.

Sounds simple enough? Not really. Days Of Future Past frequently threatens to fall foul of its complicated puzzle-box of a narrative, one that involves time travel, quantum physics and a swirling mess of characters, action and motivations. There's Dr. Bolivar Trask (Peter Dinklage), creator of the Sentinel programme, whose assassination in the past by Charles' pseudo-sister Raven (Jennifer Lawrence) brings about the dystopia of the future. There are prison breaks, astral projections, and several grisly mutant deaths. Truthfully, this incredibly ambitious mix of character, plot and spectacle could very easily go horribly wrong.

What's so impressive about director Bryan Singer's return to the franchise is how well he weaves all the disparate threads of his narrative together. This is emphatically not the Singer who gave us mediocre misfires like Superman Returns and Jack The Giant Slayer. Rather, this is the work of the Singer who made his mark with films like X1, X2 and The Usual Suspects, all of which featured a masterful blend of wit and wisdom, character and story.

In Days Of Future Past, Singer skilfully plays on the schism that opened up between Erik and Charles at the end of First Class to add welcome depths of emotion to the high stakes already in play. The deep, difficult relationship between the two men has always been the fulcrum of the series, and Singer allows it to breathe and grow. With the help of McAvoy and Fassbender (not to mention Stewart and McKellen), some of the best actors in the business, the director makes it possible to believe that resentment can give way to forgiveness, and vice versa, often in the blink of an eye. McAvoy, in particular, gives a shudderingly good performance as a man called upon to help others when he's lost his own way.

With such an enormous revolving cast of characters, Singer even manages to give many – though not all – of them their hearts and souls. (Alas, Storm/Ororo, we will never know ye!) Thrust into the unlikely role of mentor to the broken, heartsore Charles, Wolverine must find a different sort of strength and ingenuity within himself. Jackman plays the role beautifully, anchoring the two timelines with charm and gravitas. Though still something of an awkward fit for her part, Lawrence, too, plays Raven's dilemma very well, as she wavers between Charles' offer of hope and Erik's often bloody single-mindedness.

But Days Of Future Past doesn't just mire itself in the toss and tumble of its characters' emotional journeys. Singer throws in a few crackerjack action sequences, opening the film with a heart-stopping massacre that very effectively underscores the dire threat posed by the Sentinels of the future. Crucially, Singer also finds the time and space within the darkest shadows of his story to have a little fun, judiciously tossing quips and sight gags into the mix – particularly in a tour de force prison break sequence, in which the preternaturally speedy Pietro Maximoff (Evan Peters), better known to comic aficionados as Quicksilver, literally runs away with the entire show.

Make no mistake about it, this is a behemoth of a film that won't go down well with everybody. Newbies will almost certainly find themselves lost, bewildered, and perhaps even bored. Singer's tale sprawls in so many directions that, if you're not at least marginally invested in the characters, it could prove to be a trying experience.

But, for everyone else, ranging from casual fans to enthusiasts and obsessives, Singer and screenwriter Simon Kinberg have crafted something truly remarkable. Steeped in history and lore, both of the cinematic and comic-book variety, Days Of Future Past feels like a dark love letter to the spirit of that original band of mutants and the message of hope, tolerance and humanity that has always accompanied their attempts to find their place on Earth.

Most remarkably of all, Days Of Future Past practically radiates a bravery and freshness that you'd never expect from the seventh film in a blockbuster franchise. Instead of playing it safe and sound, Days Of Future Past mashes up past, present and future, sweeping up a lot of what has been taken for granted in the X-Men cinematic universe and, well, chucking it out of the proverbial window. The ending of this film truly opens up an intriguing plethora of narrative possibilities that stretch in any and all directions. On the strength of this outing, that's something to be anticipated, rather than feared.